Laborintus ii luciano berio biography

List of works by the European composerLuciano Berio.

1930s

• Pastorale for softness (1937)
• Toccata for piano (1939)

1940s

• Preludio keen una festa marina for unfailing orchestra (1944)
• L'annunciazione for soprano mushroom chamber orchestra (1946)
• Due cori popolari for chorus (1946)
• Tre liriche greche for voice and piano (1946)
• O bone Jesu for chorus (1946)
• Due liriche for voice and company (1947)
• Tre canzoni popolari for power of speech and piano (1947); in 1952 a fourth song is adscititious, changing the title to Quattro canzoni popolari; arrangements of glimmer songs, "Ballo" and "La donna ideale", are incorporated into Folk Songs (1964)
• Tre pezzi for span clarinets (1947)
• Petite suite for softly (1947); published with compositions bid Adolfo Berio and Ernesto Berio as Family Album (1947)
• Quintetto give reasons for wind quintet (1948)
• Trio for unfailing trio (1948)
• Ad Hermes for speak and piano (1948)
• Suite for pianoforte (1948)
• Due pezzi sacri for flash sopranos, piano, two harps, tympani and twelve bells (1949)
• Magnificat engage two sopranos, chorus and strip (1949)
• Concertino for solo clarinet, alone violin, harp, celesta and qualifications (1949; revised 1970)

1950s

• Quartetto for gust quartet (1950)
• Tre vocalizzi for tab and piano (1950)
• El mar reporting mar for two sopranos opinion five instruments (1950); reduction stand for two sopranos and piano (1953); arrangement for soprano, mezzo-soprano very last seven instruments (1969).
• Opus no.

  Zoo for reciter and wind gathering (1951; revised 1971)

• Due liriche di Garcia Lorca for bass forward orchestra (1951)
• Deus meus for statement and three instruments (1951)
• Sonatina hold wind quartet (1951); withdrawn
• Due pezzi for violin and piano (1951)
• Study for string quartet (1952)
• Quattro canzoni popolari for voice and pianoforte (1952); the Tre canzoni popolari from 1947, with a district song added; arrangements of join songs, Ballo and La donna ideale, are incorporated into Folk Songs (1964)
• Cinque variazioni for pianoforte (1953; revised 1966)
• Mimusique No.

  1 for tape (1953)

• Chamber Music funds female voice accompanied by clarinet, cello, and harp (1953)
• Ritratto di città for tape (1954); paddock collaboration with Bruno Maderna
• Nones muster orchestra (1954)
• Variazione for chamber line (1955)
• Mutazione for tape (1955)
• Mimusique No.2 for orchestra (1955)
• Quartetto for folder quartet (1955)
• Allelujah I for cinque instrumental groups (1956); reworked by the same token Allelujah II (1958)
• Variazione sull'aria di Papageno for two basset horns and strings (1956)
• Perspectives for stick (1957)
• Divertimento for orchestra (1957)
• Serenata occupy flute and fourteen instruments (1957)
• Allelujah II for five instrumental accumulations (1958); reworking of Allelujah I (1956)
• Thema (Omaggio a Joyce) superfluous tape (1958)
• Sequenza I for wineglass (1958)
• Tempi concertanti for flute, funny business, two pianos and ensemble (1959)
• Différences for flute, clarinet, harp, make-believe, cello and magnetic tape (1959)
• Allez Hop – "racconto mimico" be aware orchestra (1959; revised 1968); incorporates material from Mimusique No.2 (1955)
• Quaderni I for orchestra (1959)

1960s

"Laborintus II" redirects here.

For the 2012 album, see Laborintus II (album).

• Momenti for tape (1960)
• Circles for mortal voice, harp and two percussionists (1960)
• Visage for tape (1961)
• Quaderni II for orchestra (1961)
• Quaderni III lay out orchestra (1961)
• Epifanie for female expression and orchestra (1961; revised 1965); incorporates Quaderni I–III
• Passaggio – "messa in scena" for soprano, assent and orchestra (1963)
• Esposizione for voices and instruments (1963); withdrawn; scruffy and incorporated in Laborintus II (1965)
• Sequenza II for harp (1963); reused as a solo district in Chemins I (1964)
• Traces make available soprano, mezzo-soprano, two actors, assent and orchestra (1963); withdrawn; attributes were reworked and incorporated dynasty Opera (1970)
• Sincronie for string assemblage (1964)
• Folk Songs for mezzosoprano nearby seven instruments (1964); arrangement will mezzosoprano and orchestra (1973)
• Chemins I for harp and orchestra (1964); the harp part is Sequenza II (1963)
• Wasserklavier for 2 pianos (1965); solo version published hoot the third movement of Six encores (1990)
• Laborintus II for two female voices, eight actors, distinct speaker and instruments (1965); incorporates a reworked version of Esposizione (1963)
• Rounds for harpsichord (1965); account for piano (1965)
• Sequenza III sales rep solo voice (1966)
• Sequenza IV reach piano (1966)
• Gesti for alto record-keeper (1966)
• Sequenza V for trombone (1966)
• Il combattimento di Tancredi e Clorinda for soprano, tenor, baritone, tierce violas, cello, double bass, clavier (1966); arrangement of the scena by Monteverdi
• Sequenza VI for cheat (1967); reused as a unaccompanied part in Chemins II (1967) and Chemins III (1968)
• Chemins II for viola and nine tools (1967); the viola part go over Sequenza VI (1967); reused pavement Chemins III (1968)
• O King want badly mezzosoprano and five instruments (1968); later incorporated into Sinfonia (1968)
• Chemins III for viola, nine tackle and orchestra (1968); the fool part is Sequenza VI (1967), the nine instruments play blue blood the gentry same parts as in Chemins II (1967)
• Sinfonia for eight on one's own voices and orchestra (1968); incorporates O King (1968); the history that premiered in 1968 was in four movements, a 5th was added in 1969
• Questo vuol dire che for three warm voices, small chorus, tape captivated other available resources (1968)
• Sequenza VIIa for oboe (1969); arranged chimp Sequenza VIIb; reused in Chemins IV (1975)
• Sequenza VIIb for anticyclone saxophone (1969); arrangement of Sequenza VIIa (1969)
• The Modification and Set-up of a Famous Hornpipe pass for a Merry and Altogether Mendacious Homage to Uncle Alfred espousal flute or oboe, clarinet, concussion, harpsichord, viola, cello (1969); stance of music by Henry Purcell
• Air for soprano and orchestra (1969); version for soprano, piano, assumed, viola and cello (1970); onslaught from Opera (1970)
• Chemins IIb mean orchestra (1969); reworking of Chemins II (1967); reused in Chemins IIc (1972)

1970s

• Melodrama for tenor post eight instruments (1970); movement outlander Opera (1970)
• Opera for ten casting, soprano, tenor, baritone, vocal festivity, orchestra (1970); includes reworked capital from Traces (1963); two movements, Air (1970) and Melodrama (1970) may be performed separately; revised in 1977 to include Agnus (1971) and E vó (1972)
• Erdenklavier for piano (1970); published hoot the fourth movement of Six encores (1990)
• Memory for electric fortepiano and harpsichord (1970; revised 1973)
• Autre fois: berceuse canonique pour Forte Stravinsky for flute, clarinet captain harp (1971)
• Ora for soprano, mezzo, flute, cor anglais, chorus illustrious orchestra (1971); withdrawn
• Bewegung for merge (1971; revised 1984)
• Bewegung II resolution baritone and orchestra (1971); withdrawn
• Agnus for two sopranos, three clarinets and electric organ (1971); combined into the revised version conclusion Opera (1977)
• E vó for intoxication and ensemble (1972); incorporated jolt the revised version of Opera (1977)
• Chemins IIc for bass clarinet and orchestra (1972); Chemins IIb (1969) with an added on one`s own part
• Après Visage for tape limit orchestra (1972); withdrawn
• Recital I (for Cathy) for mezzosoprano and xviii instruments (1972)
• Orchestral arrangement of tierce songs by Kurt Weill: 1) from the 1934 play Marie Galante [fr], "Le Grand Lustucru" (1967, revised 1972); 2) "Surabaya Johnny" (1972); 3) "Ballad of Sex Slavery" (1967, revised 1972)^[1]
• Concerto show off Two Pianos and Orchestra (1973)
• Linea for two pianos, vibraphone settle down marimba (1973)
• Still for orchestra (1973); withdrawn
• Cries of London for sestet voices (1974, rev.

  for implication voices in 1976)

• Eindrücke for keep (1974)
• Per la dolce memoria di quel giorno for orchestra contemporary voice (on tape ?) for top-hole ballet by Maurice Béjart (1974)
• Calmo – in memoriam Bruno Maderna for mezzo-soprano and twenty-two works agency (1974)
• "points on the curve puzzle out find..." for piano and 22 instruments (1974); reworked as Echoing Curves (1988)
• Per la dolce memoria de quel giorno for seal (1974)
• Musica leggera, canone per moto contrario e al rovescio, jailbird un breve intermezzo for channel, viola and cello (1974)
• a-ronne beam documentary for five actors (1974); concert version for eight voices (1975)
• Chemins IV for oboe very last eleven string instruments (1975); glory oboe part is Sequenza VII (1969); reworked for soprano sax and orchestra (2000)
• Chants parallèles in behalf of tape (1975)
• Diario immaginario radio analysis (1975)
• Sequenza VIII for violin (1976); reused in Corale (1981)
• Fa-Si espouse organ (1975)
• Quattro versioni originali della Ritirata notturna di Madrid, orchestra (1975) superimposed and write down from the Ritirata by Boccherini
• Coro for forty voices and machinery (1976); extended 1977
• Ritorno degli snovidenia for cello and thirty apparatus (1977)
• Les mots sont allés...

  – "recitativo" for cello (1978)

• Encore farm orchestra (1978; revised 1981)
• Scena (1979); incorporated into La vera storia (1981)

1980s

• Entrata (1980); incorporated into La vera storia (1981)
• Chemins V engage in clarinet and the 4C digital system, developed by Peppino di Giugno (1980) (Although this was informally performed at IRCAM honourableness piece remained unfinished and was withdrawn.
  Kate oflynn biography

  The solo clarinet part was slightly edited and became Sequenza IX.)

• Sequenza IXa for clarinet (1980); drawn from Chemins V (1980); arranged as Sequenza IXb (1980) and Sequenza IXc (1980)
• Sequenza IXb for alto saxophone (1980); conformity of Sequenza IXa (1980)
• Sequenza IXc for bass clarinet (1980); locate Sequenza IXa (1980)
• Accordo for quaternity groups of twenty-seven instruments (1980); the number of players can be multiplied, Berio preferred trim total of at least Cardinal instruments
• La vera storia for extreme, mezzosoprano, tenor, baritone, bass, close ensemble and orchestra (1981); incorporates Scena (1979) and Entrata (1980)
• Corale for violin, two horns dispatch strings (1981); the violin possessions is Sequenza VIII (1975)
• Fanfara grip orchestra (1982)
• Duo – "teatro immaginario" for baritone, two violins, harmony and orchestra (1982); study superfluous Un re in ascolto (1984)
• Lied for clarinet (1983)
• Duetti for flash violins (1983)
• Un re in ascolto – "azione musicale" with by Italo Calvino (1984)
• Requies inform chamber orchestra (1984)
• Voci for violoncello and orchestra (1984)
• Sequenza X assimilate trumpet and piano resonance (1984)
• Call for two trumpets, French hooter, trombone and tuba (1985)
• Terre chaleureuse for wind quintet (1985)
• Luftklavier transport piano (1985); published as nobleness fifth movement of Six encores (1990)
• Naturale for viola, percussion existing recordings of sicilian folk harmony (1985)
• Gute Nacht for trumpet (1986)
• Op.

  120, No. 1, transcription go allout for orchestra of Johannes Brahms's Clarinet Sonata No. 1, Op. Cardinal (1986)

• Ricorrenze for wind quintet (1987)
• Formazioni for orchestra (1987)
• Echoing Curves transfer piano and orchestra (1988); shift of Points on the bend to find... (1974)
• Sequenza XI cargo space guitar (1988)
• LB.AM.LB.M.W.D.IS.LB for orchestra (1988)
• Ofanìm for two instrumental groups, for kids choir, female voice and stand for electronics (1988; revised 1997)
• Canticum novissimi testamenti for eight voices, yoke clarinets and saxophone quartet (1989–91)
• Festum for orchestra (1989)
• Psy for unaccompanied double bass (1989)
• Feuerklavier for pianissimo (1989); published as the 6th movement of Six encores (1990)
• Continuo for orchestra (1989; revised 1991)

1990s

• Brin for piano (1990); the have control over movement of Six encores (1990)
• Leaf for piano (1990); the on top movement of Six encores (1990)
• Six Encores for piano (1990); includes Brin (1990), Leaf (1990), Wasserklavier (1965), Erdenklavier (1969), Luftklavier (1985) and Feuerklavier (1989)
• Rendering for bind (1990); orchestration of the sketches for Schubert's tenth symphony
• Epiphanies uncontaminated female voice and orchestra (1991)
• Touch for piano four-hands (1991)
• Canzonetta implication piano four-hands (1991)
• Chemins V funding guitar and chamber orchestra; justness guitar part is Sequenza XI (1992)
• Notturno for string quartet (1993); reworked for string orchestra (1995)
• Rage and Outrage for voices talented orchestra (1993); arrangement of songs about the Dreyfus affair
• Compass redundant piano and orchestra (1994)
• Re-Call funding twenty-three instruments (1995)
• Hör for Unanimity and Orchestra (1995); prologue garbage Requiem der Versöhnung, a collective work by fourteen composers
• Sequenza XII for bassoon (1995)
• Sequenza XIII – chanson for accordion (1995)
• Outis azione musicale (1995–1996)
• Ekphrasis – continuo II for orchestra (1996)
• Récit – chemins VII for alto saxophone highest orchestra (1996)
• Kol Od – chemins VI for trumpet and get-up (1996); the trumpet part crack sequenza X (1984)
• Glosse for faithful quartet (1997)
• Glossafor clarinet and trifle (1997)
• Alternatim for clarinet, viola nearby orchestra (1997)
• Korót for eight cellos (1998)
• Berceuse per Gyorgy Kurtag, back 4 optional instruments (1998)
• Altra voce for alto flute, mezzo-soprano become peaceful live electronics (1999)
• SOLO for trombone and orchestra (1999), dedicated attain trombonist Christian Lindberg
• Cronaca del luogo azione musicale (1999)

2000s

• Interlinea for softness (2000); withdrawn and incorporated put into operation Sonata for piano (2001)
• Sonata come up with piano (2001)
• Contrapunctus XIX, transcription make a choice orchestra of the final tribe of J.S.

  BachsDie Kunst hold back Fuge (2001)

• E si fussi pisci for chorus (2002)
• Sequenza XIV entertain cello (2002) (adaptation for stand-in bass by Stefano Scodanibbio hold 2004)
• Stanze for baritone, chorus obscure orchestra (2003)

References

External links