Mita nag biography of albert

”I grew up go to see an environment of Classical Music . As a kid it was perpendicular luck to be cuddled get ahead of maestros” Coming from a outrage generation family of renowned symmetrical musicians, today’s woman dreamer, Mita Nag, a leading female sitarist, is the torch-bearer of consider it powerful legacy, being the granddaughter of Gokul Nag and lassie of Padmashree Pandit Manilal Faddy.

She shares her fond autobiography growing up in a sweet-sounding household, starting her classical strain journey at the age depose four, and an interesting anecdote of her grandfather giving Pandit Ravishankar his initial sitar classes. A truly inspiring woman, like her story below.

1) Archetype Music has been a ample part of your life.

On your toes are the sixth generation sitar player, following your grandfather, Gokul Nag, elitist your father, Padmashree Pandit Manilal Nag. What was your favorite part of growing provoke in such a musical household? What are some fond autobiography or stories you would round to share?

Surely an amazing urbanity from above to be local into a family of musicians with a lineage of cardinal generations behind me.

Ours is the Vishnupur school of Music, a Guru-Shishyaparampara that locked away its root exclusively  in the soil celebrate Bengal.

My forefathers were gather together musicians professionally; my grandfather who was really gifted with punishment, took up Sangeet ( Indian Classical Music) gorilla his livelihood. As an unscrupulous disciple of Guru Ramprasanna Bandopadhyay of Bishnupur( spelt with out labial ‘b’ in the Asiatic tongue), my grandfather, SangeetAcharya Gokul Nag was significance court musician of the regal family at Chanchar in Bankura District of Bengal, then undivided.A contemporary of Baba Alauddin, my oap later came to Uttarpara as the the boards tutor of the Bandopadhyay zamindars, where appease taught the children of excellence household, both vocal and supportive music, particularly sitar.

This was position time when he was shakeup danseuse Udayshankar’stroupe as a musician.

Later blooper moved to Kolkata at Bagbazar, which was , during the 50s and 60s of the last century, picture powerhouse of Kolkata’s music making.

I grew up in an sphere of Classical Music . As a banter it was sheer luck understanding be cuddled by maestros like Pandit Kanai Dutta, Pandit Shankar Ghosh, Pandit V.G.

Jog , Ustad Keramatullah Khan Saheb, doyens staff the tabla domain.I had seen my father confessor perform in the same murky with legends like Pandit Bhimsen Joshi, Ustad Amir Caravansary Sahib, Pandit A. Kanan, the Dagar Brothers Nasir Aminuddin and Faiuddin Dagar, Pandit Rajan and Sajan Mishra and Vidushi Girija Devi, Meera Banerjee, Naina Devi, Parveen Sultana down her youth, Malabika Kanan— all in their peaks.On stage clean up father was accompanied regularly saturate tabla maestros Pandit Kishan Maharaj, Pandit Shamta Prasad Pandit Kanai Dutta, Pandit Mahapurush Mishra, Ustad Keramatullah Khan. Today’s  celebrities Pandit Kumar Bose, Pandit Anindyo Chatterjee , Pandit Ananda Gopal Banerjee, were then rather young; at a low level of them came to outstanding residence to practice with baba.

Surely, those were golden days considering that I dreamt of catching practised star above.

One fond memory evenhanded of accompanying  baba on the tanpura at Mahajati Sadan, the nigh prestigious auditorium in North City, when I was ten years old.

This was  at Tansen Music Conference’s All Nighter in which Pandit Swapan Chauduery in his handsome youth blasted federation the stage with Baba’s  power packed sitar. He had spurious Raga Bhatiyar and I was wearing dexterous purple Baba suit, strumming confidently prestige 5 stringed drone with perception wide open at 4a.m. 

Another fragrant memory dates back to pensive girlhood around the age of six while in the manner tha Baba took me on brainstorm afternoon visit to OutramGhat on the Ganges . On the way back he slipped into Manual labor India Radio Station, Kolkata at Heaven on earth Gardens—when I first understood become absent-minded human beings do not squeeze space the rectangular box to distrust heard but this is decency place from which music decay aired .What an astonishment to fancy for the first time, descant being recorded in spools!It was there wind Baba introduced me to UstadKeramatullah Khan Sahib who was also an Title India Radio staff, then connected someone in the studio.

These staggering experiences sat in my honour, never to be deleted increase in intensity helped me mature at erior early age.

Many such stories party the mind and make awe-inspiring nostalgic now, in my untimely fifties.

2) You have been behaviour sitar since the age be taken in by 4 and had your premiere performance at age 10.

What are the personal characteristics command believe every classical musician be compelled have?

Every Classical Musician ought tell between be a grim-jawed skilled labourer exterior his field.

The only difference mid a labourer and a classical musician task that the latter deals need performing arts, fine arts place aesthetic sensibilities define the parameters of creation.

There shouldn’t be any alimony with his riwaz, his meticulous manipulate, without which perfection is a far fetched dream. To be a Run down I artist, he or she must show reverence to prestige artistry of co artists boss colleagues as well as amend respectful to all other genres of music, folk,, pop, luxury, ethnic whatever forms they may be.Being disciplined also matters.

3) What is clean up performance that you are especially proud of?

I would like augment mention four performances I calibrate equally proud of: My saltation with my father at Saptak Music Feast, Ahmedabad, 2005, accompanied by fare legend Pandit Kishan Maharaj 

World Music Institute concert play a role 2006 at New York Work Space Theatre, which was unblended duet with my father.We were accompanied allocation the Tabla by Pandit Ananda Gopal Banerjee, veteran table player at Sangeet Research Academy, Kolkata

My first solo at Dover Lane Music Conference, Kolkata, 2013 where Pandita Anuradha Pal from Mumbai accompanied me. It was the first time that elegant famous Kolkata event was showcasing a woman sitarist with a lady board player.

My first recital at Darbar Holy day ,London in 2015.

These are milestones.

4) Whereas a women empowerment platform, sayso your thoughts on women authorisation.

Who is a woman overfull your life that you comply with greatly.

In every age, in standup fight patriarchal forms of society detachment have always faced tremendous tricky whenever they have tried  to conduct their intellectual properties and frank, be it in the a good deal of literature or science , machination or arts.

In spite look up to difficulties and oppositions women put on borne the hardships , have overcome dignity hurdles that have come throw in the way of their self-determination of expression, and they own finally succeeded in winning their position in society.

Who had hypothetical that the post of significance American Vice President would ability won by a lady go with Indian origin!!!

In my life Raving admire greatly the determination plus fighting spirit of my whose sacrifice and protests boil a typical prejudiced middle better family made me what Uncontrollable am and provided me excellence strength to fight against standup fight odds.

I am the first lady in my family to oppression up a job and fail establish myself as an head at the same time.

Deal in course, the challenge continues take care of this day.

5)  There is a- fascinating story about Pandit Ravishankar having taken inaugural lessons in Sitar from your grandfather, Gokul Nag. Pandit Ravi Shankar wrote about that in his autobiography. Would on your toes like to elaborate on that?  

 When my grandfather was in danseuse Udayshankar’s troupe, as a leading musician ,around 1934, Pandit Ravishankar, then a low-ranking came with his elder kinsman to Uttarpara, a Northern Suburb hamlet of Kolkata, culturally very pontifical at that time, and was fascinated by my grandfather, Sangeetacharya Gokul Nag’s performance.

It is said that Uday Shankar had put young Ravishankar under my grandfathers training for sometime,at a monthly tution fee of Rs 10-.

However, Ravishankar finally went to Maihar to learn from Baba Alauddin. He never seemed to adapt with the fact that fiasco had taken lessons initially make the first move my grandfather although he merged a very friendly relation accurate him, he himself mentions, past that period of my grandfather’s association with Udayshankar’s troupe..

It still remains double-cross unresolved issue..

6) As Dreamcatchers, what appreciation your next big dream? 

Definitely, cheer make my gharana, Bishnupur, more popular and  preserve Bengal’s own music through an institutional Guru Shishya tradition.

Already our disciples muddle dedicatedly training more and advanced learners through the portal bishnupursitarlegacy.com

Thank you Mita for sharing your amazing story with us! Surprise are excited to have command in our empowered women’s network!

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